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2023
Agua entre la metalurgia (Water in between metallurgy) is a solo exhibition by Carolina Aranibar-Fernández with curatorial mentorship from Alana Hernandez. The exhibition builds upon the artist’s ongoing practice that addresses the geopolitical concerns of exploitation. Through works that incorporate processes of etching, sewing, stitching, cutting, and printing, Aranibar-Fernández seeks to deconstruct complex movements of resources on a global scale. 2021 Praxis is pleased to present A Diasporic State of Mind, a group exhibition by artists Carolina Aranibar-Fernández, Melissa Misla, Simonette Quamina, Natalia Sánchez, Estefanía Velez Rodriguez, Maria Yolanda Liebana. The exhibition will be open from April 14 to May 21, 2022. Our hours are Tuesday to Saturday, 10am to 6pm, at 501 W 20th Street, New York, NY, 10011. 2020
Bitch Media Interview by Barbara Sostaita. Weaving the Wall; Devotional Art Counters State Violence in the Borderlands When Bolivian artist Carolina Aranibar-Fernández first encountered the 1,954-mile–long wall that divides the United States and Mexico, all she could see were “metal slats that violently penetrate the land.” They towered above the desert floor, a hypermasculine violation of the desert’s sovereignty.
2020
At the Scottsdale Museum of Contemporary Arts, Carolina Aranibar-Fernandez gives a talk titled “Cartographies of Power,” and KJZZ's Lauren Gilger spoke with her more about it recently — and how the so-called “Water Wars” in her home country helped shape her work. |
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2020
“Mi primer impresión cuando vi la frontera fue masculinidad, una división fálica, unos barrotes que penetraban la tierra. En la creencia indígena cuando trenzas algo proteges el espíritu; es un escudo y a la vez agregamos algo del linaje femenino a la tierra”, relató la joven nacida en La Paz, Bolivia. |